Category Archives: A walk-through of classic poetry

Classic Poetry is awesome! It’s not boring. Really, I promise. These classic poems will make you laugh, cry, and say goodbye. Goodbye to modern poetry that is :)

Classic Poems #5, Maud Muller, by John Greenleaf Whittier

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The next poem on our walk-through is the longest one I’ll make you read. It’s called Maud Muller, by John Greenleaf Whittier. This poem is going to be contrasted with the next poem in our walk-through, because I think they enhance one another. So read this one first before going onto the next one.

Maud Muller is the story of a young peasant girl and a judge who often talk and both have realized that they have feelings for one another. But the pressures of society and the judges fears of what could happen if he married a peasant girl keep them from ever being together. It’s a sad poem, but a great reminder that love is more important than social boundaries.

There are a few notes to help with the reading. For first time readers of this poem, the transitions are somewhat difficult to navigate, so I’ll just mention them here. The poem starts of with the Judge and the girl talking with one another. It then transitions to a scene of each of them thinking about the other. After that, the story progresses on further, many years pass, and it tells of how each of their lives turned out. Finally, it transitions to each of them thinking of what might have been if things had worked out differently, ending with some of the most powerful lines in all of poetry. I hope you enjoy.


Maud Muller, on a summer’s day,
Raked the meadows sweet with hay.


Beneath her torn hat glowed the wealth
Of simple beauty and rustic health.


Singing, she wrought, and her merry glee
The mock-bird echoed from his tree.


But, when she glanced to the far-off town,
White from its hill-slope looking down,


The sweet song died, and a vague unrest
And a nameless longing filled her breast–


A wish, that she hardly dared to own,
For something better than she had known.


The Judge rode slowly down the lane,
Smoothing his horse’s chestnut mane.


He drew his bridle in the shade
Of the apple-trees, to greet the maid,


And ask a draught from the spring that flowed
Through the meadow across the road.


She stooped where the cool spring bubbled up,
And filled for him her small tin cup,


And blushed as she gave it, looking down
On her feet so bare, and her tattered gown.


“Thanks!” said the Judge, “a sweeter draught
From a fairer hand was never quaffed.”


He spoke of the grass and flowers and trees,
Of the singing birds and the humming bees;


Then talked of the haying, and wondered whether
The cloud in the west would bring foul weather.


And Maud forgot her briar-torn gown,
And her graceful ankles bare and brown;


And listened, while a pleasant surprise
Looked from her long-lashed hazel eyes.


At last, like one who for delay
Seeks a vain excuse, he rode away,


Maud Muller looked and sighed: “Ah, me!
That I the Judge’s bride might be!


“He would dress me up in silks so fine,
And praise and toast me at his wine.


“My father should wear a broadcloth coat;
My brother should sail a painted boat.


“I’d dress my mother so grand and gay,
And the baby should have a new toy each day.


“And I’d feed the hungry and clothe the poor,
And all should bless me who left our door.”


The Judge looked back as he climbed the hill,
And saw Maud Muller standing still.


“A form more fair, a face more sweet,
Ne’er hath it been my lot to meet.


“And her modest answer and graceful air
Show her wise and good as she is fair.


“Would she were mine, and I to-day,
Like her, a harvester of hay:


“No doubtful balance of rights and wrongs,
Nor weary lawyers with endless tongues,


“But low of cattle, and song of birds,
And health, and quiet, and loving words.”


But he thought of his sisters, proud and cold,
And his mother, vain of her rank and gold.


So, closing his heart, the Judge rode on,
And Maud was left in the field alone.


But the lawyers smiled that afternoon,
When he hummed in court an old love-tune;


And the young girl mused beside the well,
Till the rain on the unraked clover fell.


He wedded a wife of richest dower,
Who lived for fashion, as he for power.


Yet oft, in his marble hearth’s bright glow,
He watched a picture come and go:


And sweet Maud Muller’s hazel eyes
Looked out in their innocent surprise.


Oft when the wine in his glass was red,
He longed for the wayside well instead;


And closed his eyes on his garnished rooms,
To dream of meadows and clover-blooms.


And the proud man sighed, with a secret pain,
“Ah, that I were free again!


“Free as when I rode that day,
Where the barefoot maiden raked her hay.”


She wedded a man unlearned and poor,
And many children played round her door.


But care and sorrow, and child-birth pain,
Left their traces on heart and brain.


And oft, when the summer sun shone hot
On the new-mown hay in the meadow lot,


And she heard the little spring brook fall
Over the roadside, through the wall,


In the shade of the apple-tree again
She saw a rider draw his rein,


And, gazing down with timid grace,
She felt his pleased eyes read her face.


Sometimes her narrow kitchen walls
Stretched away into stately halls;


The weary wheel to a spinnet turned,
The tallow candle an astral burned;


And for him who sat by the chimney lug,
Dozing and grumbling o’er pipe and mug,


A manly form at her side she saw,
And joy was duty and love was law.


Then she took up her burden of life again,
Saying only, “It might have been.”


Alas for maiden, alas for Judge,
For rich repiner and household drudge!


God pity them both! and pity us all,
Who vainly the dreams of youth recall;


For of all sad words of tongue or pen,
The saddest are these: “It might have been!”


Ah, well! for us all some sweet hope lies
Deeply buried from human eyes;


And, in the hereafter, angels may
Roll the stone from its grave away!

Classic Poems #6, If You But Knew by an Unknown Author

The next poem on our walk-through is especially meaningful to me. It’s titled “If You But Knew, and it’s by an unknown author. I resonate strongly with the message in this poem, a love poem both solemn and hopeful, made beautiful through simplicity. Everything you need to know about the poem can be gleaned from the very first two lines:


“If you but knew
How all my days seem filled with dreams of you

There’s often a power in simplicity, which this poem exemplifies. I love its feel of longing and uncertainty and I know you’ll enjoy it too.


If you but knew
How all my days seem filled with dreams of you
How sometimes in the silent night
Your eyes thrill through me with their tender light
How oft I hear your voice when others speak,
How you ‘mid other forms I seek –
Oh, love more real than though such dreams were true
If you but knew.


Could you but guess
How you alone make all my hapiness,
How I am more than willing for your sake
To stand alone, give all and nothing take,
Nor chafe to think bound while I am free,
Quite free, till death, to love you silently,
Could you but guess.


Could you but learn
How when you doubt my truth I sadly yearn
To tell you all, to stand for one brief space
Unfettered, soul to soul, as face to face,
To crown you king, my king, till life shall end,
My love and likewise my truest friend.
Would you love me, dearest, as fondly in return,
Could you but learn?


As I said before, I think that the beauty of this poem comes from it’s simplicity. Many poems try to build up, delivering their most powerful lines at the end for that final punch to leave the reader amazed. But this poem does the opposite. It delivers its most powerful lines right in the beginning and continues on from there, leaving a smile on our faces and a sigh in our hearts. The reason I wanted to couple this poem with the last poem, Maud Muller, by John Greenleaf Whittier, is because the feeling of the two poems were very similar for me.


“Of all sad words of tongue or pen,
The saddest are these: ‘It might have been!’”


“If you but knew
How all my days seem filled with dreams of you”

These two lines elicited the same feeling of longing to find the best that love has to offer knowing that the question “what might have been?” has the potential to haunt us all our days. These two poems made me realize something about love. Truly loving is the most courageous act in all of life. But how many of us truly love? In my own life, this poem resonates strongly with me. Never have I loved courageously, without borders, revealing undaunted what has been hidden in the shadows. I can attest that this is true, as one who has loved from the shadows. One day, Lord willing, I will be a courageous man.


Classic Poems #7, Poems on the subject of Time, by various authors

Next in our journey through classic poetry, I’d like to talk about time. The brevity and preciousness of time is a very important and deep theme in classical poetry. Poets often loved the contrast of the unhurried, unchanging beauties of nature with the blind busyness of man who soon returns to dust. I think of these two lines by WB Yeats:

“We and the labouring world are passing by
Amid men’s souls that waver and give place.”

Poets of the classical world were often dismayed by the brevity of all life, of seizing the day, and living life to the full. Time is short, and things are beautiful for only a little while. I love the way the following excepts encourage us to treat time as a precious thing, and not to squander it on cheap and commonplace things.


Recently, more than ever before, I’ve begun to feel the slow tug of time at my doorstep. Time, which has always been the mellow stream I’ve gone a-fishing in, now has started to become the swift current that’s slowly dragging me away. Many of you have felt the same feelings. Sometimes, time just seems like it’s running out. It was Henry David Thoreau who coined the quote above, which is the title of this article. His view of time, and what he did with his life have always been able to inspire me toward better things, breaking the nagging discouragement that sometimes comes to find me. That’s why I’m writing this article, for those of you like me, who have felt the nagging, discouraging pull of time. I’m posting my favorite quotes about life and the preciousness of time to remind myself and others that time is precious, and that life ought to be fought for rather than settled for.


Whenever I have this feeling, I love going back to poems written on the subject of time, or the preciousness of life. I think of the Greek phrase Carpe Diem, Seize the Day. In this selection, I’ve chosen a number of excerpts of poems, as well as quotes. I hope you enjoy. The first is by Henry Wadsworth Longfellow, A Psalm of Life.


“Tell me not in mournful numbers,
Life is but an empty dream!
For the soul is dead that slumbers,
And things are not what they seem.


Life is real! Life is earnest!
And the grave is not its goal;
Dust thou are, to dust thou returnest,
Was not spoken of the soul.


Not enjoyment, and not sorrow,
Is our destined end or way;
But to act, that each tomorrow
Find us farther than today.


Art is long, and Time is fleeting,
And our hearts, though stout and brave,
Still, like muffled drums, are beating
Funeral marches to the grave.”

Henry Wadsworth Longfellow


“Let fate do her worst, there are relics of joy,
Bright dreams of the past, which she cannot destroy;
Which come in the night-time of sorrow and care,
And bring back the features that joy used to wear.
Long, long be my heart with such memories filled!
Like the vase, in which flowers have once been distilled –
You may break, you may shatter the vase, if you will,
But the scent of the roses will hang round it still.”

Thomas Moore


“Gather ye rosebuds while ye may,
Old time is still a-flying:
And this same flower that smiles to-day
Tomorrow will be dying.”

Robert Herrick


However mean your life is, meet it and live it; do not shun it and call it hard names. It is not so bad as you are. It looks poorest when you are richest. The faultfinder will find fault even in paradise. Love your life, poor as it is. You may perhaps have some pleasant thrilling, glorious hours, even in a poor-house.” Henry David Thoreau.

I went to the woods because I wished to live deliberately, to front only the essential facts of life, and see if I could not learn what it had to teach, and not, when I came to die, discover that I had not lived.” Henry David Thoreau.


Classic Poems #8, Stopping By Woods on a Snowy Evening, by Robert Frost

Next, on our walk-through of classic poetry, I’d like to move on to poems about nature. Most of us have seen at least one or two examples of these, in High School or otherwise, and what we’ve seen has generally left a bad taste in our mouths. The archaic language and seemingly endless imagery have made most of us content to steer clear of this style of poetry. In some ways, rightly so. There is a huge assortment of classical nature poetry that less than meekly stirs the spirit or imagination.

But there remain those handful of poems that speak not only of the beauty of nature, but also tell of something deeper, a truth about mankind often hidden from our eyes, secrets of the human condition that can only be understood through the beautiful description of poetry. The best of nature poetry always has that “something more,” locked away in its imagery. Robert Frost was a master of this art. The first two poems of nature will be by him, and I want you to notice how he doesn’t end his poems of nature without that extra “something more.”

His first poem is arguably his most famous, “Stopping by Woods on a Snowy Evening.” I love the feel one gets right away from just the title. It’s such a simple thing – stopping to watch snow fall on the trees of a small forest. But the simplicity of the beginning of the poem only serves to heighten the effect of his last stanza. I know you’ll enjoy this one. Stopping by woods on a snowy evening.


Whose woods these are I think I know
His house is in the village though
He will not see me stopping here
To watch his woods fill up with snow


My little horse must find it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year


He gives his harness bells a shake
To ask if there is some mistake
The only other sounds the sweep
Of easy wind and downy flake


The woods are lovely, dark and deep
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

Robert Frost

This poem needs very little explanation. The imagery of the first three stanzas is so simplistic and soft, it’s almost borderline boring. But then you’re hit with it, the last stanza, made all the more profound because of the plainness of the preceding stanzas. He hits us with that “something more,” that mysterious longing bound up in the soul of humankind than yearns to forever grasp the beauties we discover, forsaking the old adage that “All good things must come to an end.”

Classic Poems #9, Reluctance, by Robert Frost

The next poem on our walk-through is also by Robert Frost. His poems of nature provide not only wonderful imagery to the imagination, but that vital “something more” about the human spirit, those truths that cannot be explained in words, only felt in the heart. This next poem is called “Reluctance,” and it follows the same general format of his last poem. In “Reluctance,” Robert Frost uses the bleak and barren description of late fall and winter to elicit the feeling of almost loneliness inside the reader. And with this feeling of forlorn solitude, he tells in his last stanza a truth about all mankind. I don’t want to spoil the poem for you. We’ll talk more afterward. Reluctance, by Robert Frost:


Out through the fields and the woods
And over the walls I have wended;
I have climbed the hills of view
And looked at the world, and descended;
I have come by the highway home,
And lo, it is ended.


The leaves are all dead on the ground,
Save those that the oak is keeping
To ravel them one by one
And let them go scraping and creeping
Out over the crusted snow,
When others are sleeping.


And the dead leaves lie huddled and still,
No longer blown hither and thither;
The last lone aster is gone;
The flowers of the witch-hazel wither;
The heart is still aching to seek,
But the feet question “Whither?”


Ah, when to the heart of man
Was it ever less than a treason
To go with the drift of things,
To yield with a grace to reason,
And bow and accept the end
Of a love or a season?

Robert Frost



Again, there’s not much else to say. Though his images are beautiful, it’s the “something more” that makes the poem a beautiful work. I hope you caught it in the last stanza. In his solitary trek across the woods, fields, and hills, feeling the bleak loneliness of the whipping winter wind, he learned something true about the heart of man. When is it not a treason against our hearts to settle for good enough – to go with the drift of things, bowing gracefully as something beautiful fades away? It is a beautiful yet solemn question, made all the more powerful by his descriptions of the dim winter world. This is one of my favorite poems of nature. The question he asks in his last stanza is one that we all must answer for ourselves. Will we be the kind of people who go with the drift of things? Or will we be the kind of people who fight for something more?



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